Lovesick: Stefan Zweig’s ‘Letter From an Unknown Woman’
By Alexander Aciman
Bookworm: The Austrian novelist dissects a broken heart
Dying of flu, a woman sends a letter to the man she has loved all her life—a man who would not know her from a stranger in the street. If he has received this letter, she warns, it means that she has died; otherwise the letter will be torn up. Over the next 70 pages she describes the first time they met, when she was a young girl, then the second time, when she was 18, and finally the third time, years later, when still unable to recognize her, he would pay for an evening of her time as a prostitute. She tells the story of life in the shadow of someone else, of a love from afar, not just unrequited, but unacknowledged, kept secret from the world except for in this letter.
“In Order that They Didn’t Die Alone”: Remembering Claude Lanzmann
By Henry Gonshak for Jewish Review of Books
Claude Lanzmann directed what many critics consider the definitive film on the Holocaust, the nine-and-a-half-hour 1985 documentary Shoah. One of the survivors he interviewed, Abraham Bomba, served as a barber while a prisoner at Treblinka. The gruesome job forced on Bomba by the Nazis was to cut the hair of women and girls bound for the gas chambers. (The shorn hair was then used by the Germans in pillows and mattresses.)
To Spy Out the Land
By Amy Newman Smith for Jewish Review of Books
"We won’t need to die . . . and when the day comes, the boys will turn into green crowned date palms and next to them their girls will petrify into statues of white marble,” wrote the young spy Avshalom Feinberg. While the letter’s recipient, Rivka Aaronsohn, would live until 1981, Feinberg, along with Rivka’s sister Sarah, would die violently within a few years. Some 100 years after the destruction of the Nili spy ring, to which they belonged, two new books tell their story. (Nili was a password taken from Samuel I 15:29, “Netzach Yisrael lo y’shaker,” roughly translatable as “The Eternal One of Israel does not lie.”)
Philip Roth’s Spooks
By Benjamin Haddad for Tablet Magazine
Why the story of Coleman Silk’s epic struggle to escape his roots is still the most-loved Philip Roth book in France
Everyone knows. Thus starts the anonymous letter received by Coleman Silk, a Jewish classics professor and dean at Athena College, in Massachusetts. Silk has just resigned as dean of the college, after uttering a racial slur, and now stands accused of preying sexually on a vulnerable young woman. “Everyone knows”: Years before the advent of social media’s public shaming, and the prevalence of #MeToo, identity politics, and political correctness in our fast-moving public discourse, the words provoke the fall of Silk, the tragic hero of The Human Stain, the third act of Philip Roth’s American trilogy, following American Pastoral and I Married a Communist. Silk’s accusers, however, don’t know the secret he has been hiding his entire adult life.
‘Waking Lions’ Reflects on Immigrants and Moral Choices
By Stewart Kampel for Hadassah Magazine
There are two distinct parts to Waking Lions by Israeli novelist Ayelet Gundar-Goshen. In the first part, Dr. Eitan Green, an Israeli neurosurgeon, inadvertently kills a black Eritrean immigrant near Beersheba during a late-night joy ride and then fails to report the car accident.
Make My Sinai Your Sinai